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Final Cut Pro X

Video editing software by Apple

Final Cut Pro, previously Final Cut Pro X, is a professional non-linearvideo editing software published by Apple Inc. as part of their Pro Apps family of software programs. It was released on June 21, for sale in the Mac App Store. It is the successor to Final Cut Pro.[1][2] It was renamed "Final Cut Pro" in November , coinciding with the release of macOS Big Sur.[3]

Features[edit]

Final Cut Pro X shares some of both its code and interface design philosophy with Apple's consumer video editing software, iMovie.[4][5]

Interface[edit]

  • Event browser: Replacing “bins” in other NLEs, the event browser is where the original media is found and can be searched and sorted by various forms of metadata. Keyword ranges, favorite and rejected ranges, and smart collections allow for faster sorting of a large number of clips.
  • Magnetic timeline: Inventing an alternative to track-based timelines found in traditional NLEs, Final Cut's magnetic timeline uses clip connections to keep connected clips and secondary storylines in sync with clips located on the primary storyline. By default, clips move around each other "magnetically", filling in any gaps and avoiding clip collisions by automatically bumping clips out of the way vertically. The magnetic connections are also user-definable.
  • Roles: In order to separate and organize different audio types on the magnetic timeline, editors can designate what "role' each clip plays. Introduced in version , Roles can be assigned to clips as an alternate way of creating organizational functionality. A Role (or Sub-Role) gets assigned to clips to identify what it is (for example Video, Titles, Dialogue, Effects, Music). Upon Sharing a Master File of the Project the various Roles can be split out as stems or in a multitrack file for broadcast delivery or other distribution needs.
  • Content auto-analysis: Found in the import window and event browser is the option to analyze media for shot type and facial recognition or fix potential problems like audio loudness, audio hum, channel grouping, background noise, color balance, pulldown removal, and stabilization. This process generates metadata that can automatically be organized as Keywords and can be grouped into Smart Collections.
  • Synchronized clips: Video and audio clips recorded on separate devices can be synched automatically by timecode, audio waveforms, and markers together as a single clip.
  • Compound clips: Nested sequences from the original Final Cut Pro have been replaced by compound clips. A selection of video and audio clips can be nested into a single compound clip. This compound clip can be opened in its own timeline or broken apart for further editing. It can also be reused in different projects.
  • Closed captions: Introduced in version , closed captions can be created right in the timeline or imported into the timeline from an external file.
  • Multicam editing: Introduced in version , multiple camera angles can be synchronized automatically and combined into a multicam clip. Once in the timeline, a multicam clip can be cut up into different angles by using the angle viewer. A multicam clip can be opened in the angle editor where new angles can be added, synched, relabeled, and rearranged at any time.
  • Auditions: Clips can be grouped together in the event browser or on the timeline as auditions. Once in the timeline, an audition allows the user to choose between different clips in their edit while the timeline ripples automatically in order to preview two or more different versions of a cut.
  • 3D titles: Introduced in version , text can be extruded, textured, lit, and shaded with materials and environments in 3D. This allows users to create titles like those found in Hollywood movies directly in the application.[6]
  • degree video editing: Introduced in version import and edit ° equirectangular video in a wide range of formats and frame sizes.
  • Advanced color grading
  • High dynamic range

Technical features[edit]

While inheriting the name from its predecessor, Final Cut Pro, Final Cut Pro X is a completely re-written application. As a native bit application it takes advantage of more than 4GB of RAM. It utilizes all CPU cores with Grand Central Dispatch. Open CL support allows GPU accelerated processing for improved performance for playback, rendering, and transcoding. It is resolution-independent, supporting images sizes from SD to beyond 4K. Final Cut Pro X supports playback of many native camera and audio formats.[7] It can also transcode video clips to the Apple ProRes codec for improved performance.[8][9] Many tasks are performed in the background such as auto-saving, rendering, transcoding, and media management, allowing the user an uninterrupted experience.[10] Final Cut Pro X was developed for macOS only.[11][12]

Workflow integration[edit]

Motion 5
Titles, motion graphics, effects generated in Motion 5 can be published to Final Cut Pro X. Inside the Final Cut Pro X, editors can modify the parameters and contents of the effects, as long as the permission for such modifications is turned on in the Motion 5 project file.
Adobe Photoshop
In Final Cut Pro X and later, the editor can import Photoshop projects onto the storyline similar to a still image. A Photoshop project with layers is treated similar to a compound clip and the layers are preserved after being imported into the Final Cut Pro X. Individual layers of the Photoshop project can be toggled on or off inside the Final Cut Pro X by double-clicking the imported project and going into the compound clip editing panel. Other adjustments to the Photoshop project should be performed on the imported Photoshop project using Adobe Photoshop program with updates happening in real-time inside Final Cut Pro X.

Development[edit]

Final Cut Pro X was made available for purchase and download on the Mac App Store on June 21, along with new versions of Motion and Compressor.[2][13] Since then the application has been updated a few times each year with new features, bug fixes, native codec support, and overall improvements with stability.[14]

Many features found in Final Cut Pro 7 that were missing in Final Cut Pro X on its initial release[15] have subsequently been added such as: XML import and export, server support, multicam editing, chapter markers, and broadcast monitor support.[16]

Because Final Cut Pro X abandoned a track-based timeline in favor of the Magnetic Timeline initially there were limitations in exporting audio stems for Broadcast and Distribution needs. On September 9, version was released with a new solution to this problem, the introduction of Video and Audio Roles. Clips are assigned Roles and upon Sharing a Project the user could export Multitrack Quicktime Files or Stems.[17][18] AAF export is done with a third-party app X2Pro which uses FCPXML. Another method is to use Logic Pro X to make an AAF.

With version released on October 23, , Apple introduced native Redcode Raw support as well as MXF support through a third party plugin. MXF was eventually natively supported by version [19]

Prior to the introduction of version Project and Event Libraries were separate folders. Events contained all the original media and Project Libraries contained the actual edited Projects on timelines. The Project and Event Libraries were stored in a user's Movie folder or on the root level of an external hard drive. These Libraries automatically opened in Final Cut Pro X depending on which hard drives were mounted. That all changed on December 19, , when Project and Event Libraries were merged into a new Library model. Libraries contained Events which in turn contained Projects. And unlike before Libraries could be opened and closed by the user. Media could be stored internally in the Library or kept outside the Library. On June 27, media management was further refined with the release of version [20]

During the NAB Show Apple released version 3D Titles were introduced directly in Final Cut Pro X as well as its companion application, Motion. The Color Board merged with a new Color Correction effect to allow for more flexibility in stacking layers of effects. The ability to apply a Keying or Shape Mask directly to any effect was also introduced.[21]

Version introduced an entirely new interface and an improved magnetic timeline. Support for iXML metadata when importing audio. Audio editing vastly improved. Audio roles can be shown in lanes. REC color import, edit, and export. MXF support.

Version introduced color wheels and color curves, º video editing and High Dynamic Range (HDR) video,

During the NAB Show Apple released version Closed Captioning was introduced as well as support for ProRes RAW. Version requires Mac OS version High Sierra.

Release history[edit]

Version Date Significant changes
[2]June 21,
  • All new application with redesigned GUI
  • bit support
  • An advanced searchable database called the event browser that uses keyword ranges and smart collections for clip sorting
  • New magnetic timeline that abandoned traditional track-based NLE paradigms
  • Live skimmer
  • Filmstrip thumbnail view
  • Advanced metadata views in clip info inspector
  • New color-board interface for color correction
  • ColorSync with the AV Foundation for accurate color monitoring[22]
  • Requires Mac OS X Snow Leopard or later
September 9,
  • Audio roles for audio and video stem exports
  • XML import and export
  • Xsan support
  • Custom start timecode for projects
November 16,
[23]January 31,
  • Multicam clips, automatic sync, mixed formats and frame rates, up to 64 angles, and new angle editor interface
  • Media relinking
  • Layered Photoshop documents support
  • Beta broadcast monitor support
  • XML
April 10,
June 11,
October 23,
  • Multichannel audio editing in the timeline
  • Unified import window. export selected ranges
  • Native Redcode raw support
  • MFX support through third-party plugin
  • Dual viewers with scopes
  • Chapter markers for video file, DVD, and Blu-ray disc exports
  • Range selections preserved with clips in the event browser
  • Paste attributes option for choosing specific effects to copy between clips
  • Drop shadow effect
  • Compound clips saved in the timeline save in the event browser to be reused in other projects
  • XML
  • Blade all command
December 6,
March 26,
  • Sony XAVC codec support
  • Arri Alexa Log C to Rec LUT
July 30,
December 19,
  • Event and project libraries now merged into new library model
  • Support for dual GPUs in Mac Pro
  • New 4K title, transition, and generators content
  • External or internal media management options for libraries
  • Project snapshots for versioning; custom project frame sizes
  • Native support for .MTS and .MT2S AVCHD files
  • Used media indicators
  • API for third parties to create custom share options
  • 4K video sharing to YouTube
  • XML
  • Performance enhancements
  • Requires OS X Mavericks or later
January 16,
  • Bug fixes and performance enhancements
June 27,
  • Improved media management for libraries
  • Used media ranges apply to compound, multicam, and synched clips
  • Apply LUT corrections to view log footage from Arri, Blackmagic, Canon and Sony Cameras in Rec. colorspace
  • XML library export
  • Automatically create keywords on import from Finder tags
  • 4K video sharing to Vimeo
  • XML
August 19,
November 25,
  • Native support for MXF
  • Panasonic AVC-LongG codec support
[6]April 13,
  • 3D Titles
  • Simultaneously display up to four video scopes
  • Keying and shape masks can be applied to any effect
  • Color board now merged with new color correction effect
  • Support for Panasonic AVC-Ultra, Sony XAVC S, JVC Long GOP codecs
  • GPU-accelerated RED raw processing
  • Smart collections at the library level
  • XML
  • Requires OS X Yosemite or later
May 14,
September 4,
  • Sony XAVC-L, Canon XF-AVC 8-bit, and Panasonic AVC-Intra codec support
  • Export interlaced H
  • Library backup on asset management systems
February 4,
  • Customizable default effect
  • 4K export preset for Apple devices
  • Performance enhancement for SANs
  • Support for XF-AVC codecs
  • Sharing to multiple YouTube accounts
  • Will not run on macOS High Sierra or newer.
October 27,
  • Interface improvements
  • Magnetic timeline 2
  • Wide color gamut
  • Support for the touch bar on MacBook Pro
  • More video formats
  • XML
  • Requires OS X El Capitan or later
March 25,
December 14,
  • Import and Edit °/VR equirectangular video
  • Color correction redesign
  • Support for 8K projects and videos
  • HEVC support
  • HDR support
  • XML
  • Requires macOS Sierra or later
April 15,
  • Support for embedded closed captioning
  • Support for ProRes RAW
  • XML
  • Requires macOS High Sierra or later
April 30,
June 21,
  • Support for Pro-Res RAW files
November 15,
  • Workflow extensions
  • Batch sharing
  • Video noise reduction
  • Timecode window
  • Comparison viewer
  • Tiny planet
  • Captions, timeline drag, comic-ization, new ° transitions
  • Improvements to ° video, audio, closed captions, color correction, effects, multicam, roles, timeline, titles
January 17,
March 21,
  • Detects and offers the option to convert media files incompatible with future macOS versions – those after Mojave [24]
October 7,
  • New Metal-based processing engine for faster rendering, compositing and exporting.
  • Better multiple GPU compatibility
  • New color tools
  • View HDR content tone-mapped to look correct on SDR displays if running macOS Catalina
  • Requires macOS Mojave or later
December 10,
[25]August 25,
  • Enhancements to proxy workflows
  • Automated tools for social media cropping
  • Editorial workflow improvements
  • XML
September 24,
November 12,
  • Improved performance and efficiency on Mac computers with Apple silicon
  • Option to create a copy of your library and automatically transcode media to ProRes Proxy or H at various resolutions
  • Requires macOS Catalina or later
December 20,
  • Option to share video to Youtube and Facebook
March 4,
  • Adds support for a new Universal RED plugin enabling native RED raw decoding and playback on both Apple silicon and Intel-based Mac computers
  • Improves stability when playing back H video files with corrupt data
June 17,
  • Create and edit custom column views with the new column editor
  • Search for media in the browser using expanded criteria including clip names, markers, and notes
  • Sort clips in the browser according to type, including proxy, optimized, and missing media
  • Restores support for copying clips from the Finder and pasting into the timeline
July 8,
  • Improves stability when exporting with certain macOS Language & Region preferences
  • Improves stability when playing H or HEVC media
  • Last supported version for macOS Catalina
October 18,
  • Drag effects, titles, or generators into the viewer to automatically detect, track, and match the movement of faces or objects using machine learning.
  • Manually add a tracker from the inspector, adjust its mask shape, and choose between different tracking analysis types.
  • Cinematic Mode
  • Edit videos recorded with iPhone 13 in Cinematic mode (requires macOS Monterey).
  • XML inside a new .fcpxmld bundle format
  • Requires macOS Big Sur or later
November 15,
  • Stability and reliability improvements
April 12,
  • Filtering of background noise in audio using machine learning (requires macOS or later)
  • iMovie iOS import
  • Locate clips that appear more than once in a project

For a complete overview of the changes made, see Apple's release notes.

Reception[edit]

Final Cut Pro X was announced in April simultaneously at the Los Angeles Final Cut Pro Users Group held at Bally's Las Vegas and at the NAB Show in the Las Vegas Convention Center and released in June [13][26]

The reaction was extremely mixed, with veteran film editor Walter Murch initially saying, "I can't use this," citing a lack of features compared to Final Cut Pro 7. In a interview, Murch was much less critical of the tool and suggested that he was interested in using it.[27]

Missing features and issues noted as essential to professional video production in FCPX included lack of edit decision list (EDL), XML and Open Media Framework Interchange (OMF) support, inability to import projects created in previous releases of Final Cut Pro, a lack of a multicam editing tool, third-party I/O hardware output, and videotape capture being limited to Firewire video devices only, including capture with third-party hardware,[15] were addressed within the first six months of the product's life. EDL export, a product of the early days of videotape editing, is now supported through third-party software[28] and creating an AAF (a newer version of OMF)[29] for passing projects to Pro Tools through X2Pro.

Since then, in some people's opinions, some of Final Cut Pro X's initial shortcomings have been fixed.[30][31]

Apple announced in April that there are more than Million users of Final Cut Pro X.[32]

Ecosystem[edit]

Since its release, FCP X has supported the construction of effect, transition, and title plugins by publishing custom-built effects from Apple Motion. This has led to a third-party ecosystem of developers building effects from simple color corrections to complex templates.[33] Third-party plug-ins can also be created through Apple's FxPlugSDK.[34] As Projects, Events, and Libraries are stored in a database format; this has allowed many third-party developers to build workflow tools by utilizing FCPXML.[35]

Feature films and television shows edited with Final Cut Pro X[edit]

Film[edit]

Television[edit]

References[edit]

  1. ^"Final Cut Pro X - Overview". Apple. Retrieved
  2. ^ abc"Apple - Press Info - Apple Revolutionizes Video Editing With Final Cut Pro X". delsacollection.com. Archived from the original on Retrieved
  3. ^Espósito, Filipe (November 13, ). "Apple drops the 'X' from Final Cut Pro branding, adds support for M1 Macs". 9to5Mac. Retrieved September 21,
  4. ^Alex (20 June ). "Future Final Cut Pro X hidden in iMovie ". delsacollection.com. Retrieved
  5. ^Alex (6 November ). "Final Cut Pro X revealed?". delsacollection.com. Retrieved
  6. ^ ab"Apple - Press Info - Apple Updates Final Cut Pro X, Motion and Compressor". delsacollection.com. Retrieved
  7. ^"Final Cut Pro X: Supported media formats". delsacollection.com. Retrieved
  8. ^"Learn about media formats and how to create optimized media in Final Cut Pro X – Apple Support". delsacollection.com. Retrieved
  9. ^"Optimize, Transcode, Render, Share in FCPX". delsacollection.com. Retrieved
  10. ^"Quick Tip: Control Rendering and Background Tasks In Final Cut Pro X – The Beat: A Blog by PremiumBeat". Retrieved
  11. ^"Final Cut Pro X – Tech Specs". Apple. Retrieved
  12. ^"Final Cut Pro X – What Is – Apple". delsacollection.com. Retrieved
  13. ^ ab"Apple Demos Final Cut Pro X at NAB ". Mac Rumors. 12 April Retrieved 16 April
  14. ^"Final Cut Pro X release notes - Apple Support". delsacollection.com. Retrieved
  15. ^ ab"Final Cut Pro X: The Missing Features - The Beat: A Blog by PremiumBeat". Retrieved
  16. ^"Future Features in Final Cut Pro X Larry Jordan". delsacollection.com. Retrieved
  17. ^"Final Cut Pro X update introduces ProRes RAW and advanced closed captioning". Apple, Inc.
  18. ^"Final Cut Pro X - Resources - Ecosystem". Apple. Retrieved
  19. ^"About the FxPlug SDK". delsacollection.com. Retrieved
  20. ^"What to do with Final Cut Pro XML". delsacollection.com. Retrieved
  21. ^"Final Cut Pro X - In Action - Detective Dee - Apple". delsacollection.com. Archived from the original on Retrieved
  22. ^Wiggins, Peter. "Loreak, Spain's official submission in the Oscars' best foreign language film category was edited on Final Cut Pro X". Retrieved
  23. ^"Final Cut Pro X - In Action - Focus". Apple. Archived from the original on Retrieved
  24. ^"Final Cut Pro X resurrected: Focus' advanced workflow Larry Jordan". delsacollection.com. Retrieved
  25. ^"What is the difference between the OMF and AAF formats? Why do I want to use one vs. the other?". delsacollection.com. Retrieved
  26. ^"7 professional editors share their FCPX experiences". Retrieved
  27. ^"Why Should Final Cut Pro 7 Editors Consider Final Cut Pro X?

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    Larry Jordan". delsacollection.com. Retrieved
  28. ^"Export Stems out of your Final Cut Pro X Timeline Using Roles - The Beat: A Blog by PremiumBeat". Retrieved
  29. ^Wiggins, Peter. "Using Roles in FCPX with Media Stems Export - How does it work and can it replace OMF?". Retrieved
  30. ^"FCPX - Why It's a Good Thing - FCPWORKSFCPWORKS". delsacollection.com. 4 December Retrieved
  31. ^"Update your Final Cut Pro X libraries to Final Cut Pro X and later - Apple Support". delsacollection.com. Retrieved
  32. ^"Final Cut Pro X updates to by Scott Simmons - ProVideo Coalition". Retrieved
  33. ^Philip, Hodgetts (September 1, ). "What is the secret to Final Cut Pro X's color management?". Philip Hodgetts Blog.
  34. ^"Apple – Press Info – Apple Updates Final Cut Pro X". delsacollection.com. Retrieved
  35. ^"About incompatible media in Final Cut Pro X". delsacollection.com. Retrieved
  36. ^"Final Cut Pro X updated with significant workflow improvements". Apple Newsroom. Retrieved
  37. ^Coldewey, Devin. "Apple Announces Final Cut Pro X At NAB: $ In June". TechCrunch. Retrieved
  38. ^Young, Rick (), Walter Murch FCPX, Avid, Premiere Pro, retrieved
  39. ^"FCP X: Create EDL Files postPerspective - Randi Altman's postPerspective". delsacollection.com. 18 March Retrieved
  40. ^SAG-AFTRA Foundation (), The Business: Q&A with WELL WISHES, retrieved
  41. ^Wiggins, Peter. "Post Production on "What Happened, Miss Simone?" An Oscar Nominated Documentary Edited on Final Cut Pro X". Retrieved
  42. ^"ENTREVISTA: Montando cine con Final Cut Pro X". 11 March
  43. ^Courtens, Ronny. "Hollywood veteran Lance Bachelder explains why he has chosen to use Final Cut Pro X on his latest feature film "Saved By Grace"". Retrieved
  44. ^"ART OF THE CUT: JAN KOVAC CUTS "WHISKEY TANGO FOXTROT" ON FCP-X by Steve Hullfish - ProVideo Coalition". Retrieved
  45. ^Wiggins, Peter. "Post producing the budget feature Saturday's Warrior on Final Cut Pro X". Retrieved
  46. ^Steve, Hullfish (). "ART OF THE CUT – CLAYTON CONDIT CUTS "VOICE FROM THE STONE" ON FCP-X". ProVideo Coalition.
  47. ^"Manuel Terceño Explains Why He Used Final Cut Pro X to Edit 2 Award-Winning Spanish Movies from , and a Prestigious Drama Television Series to be Released in ".
  48. ^"X2Pro Audio Convert - Zealous Pictures is Enthusiastic about Marquis' X2Pro for First Feature Film: Bokeh". Retrieved
  49. ^"Why Final Cut Pro X? Todo Lo Demás by Mike Matzdorff - ProVideo Coalition". 26 March
  50. ^"ENTREVISTA: El montaje de la Historia de Jan con FCPX". 2 November
  51. ^Courtens, Ronny (27 November ). "Organising and Managing Hours of Footage in FCPX, Editing One of Europe's Major Feature Films of ". delsacollection.com. Retrieved 11 December
  52. ^"Follow a Final Cut Pro X editor edit a feature film online".
  53. ^"Why Final Cut Pro X? A Producer's POV - Feature Film: Daisy Winters by Mike Matzdorff - ProVideo Coalition". October
  54. ^"Sleep Has Her House — Scott Barley". delsacollection.com. Retrieved
  55. ^"Indie Feature Film Cut in FCPX ". 29 June
  56. ^"Editing a Boxing Movie on FCPX: An Updated Journey".
  57. ^"Off the Tracks - A Documentary About How Final Cut Pro X is Disrupting the Post Production Industry".
  58. ^"How Jezebel, the Netflix Acquired Feature Was Cut on Final Cut Pro X".
  59. ^"Final Cut Pro X and 35mm Film Can be Friends by Emilie Southern - ProVideo Coalition". 24 March
  60. ^"Deliver 8K Dailies in Minutes with this New Workflow from LumaForge". 27 June
  61. ^"We Are Publishing the First Videos from FCPX World in Broadcast at IBC".
  62. ^"Editing a massive documentary in Final Cut Pro X shot on RED". 4 August
  63. ^Honeyball, Will [@willhoneyball] (). "@FCPdotCO I just edited a feature in 6 weeks using #fcpx (and I upgraded to mid-project) Couldn't have done it in any other NLE! delsacollection.com" (Tweet). Retrieved &#; via Twitter.
  64. ^Honeyball, Will [@willhoneyball] (). "Colourful picture lock! @TheIsleMovie @fizzgingerfilms #fcpx delsacollection.com" (Tweet). Retrieved &#; via Twitter.
  65. ^"Dan Allen / Filmmaker on Facebook". Facebook. Archived from the original on [user-generated source]
  66. ^"Cutting My Latest Feature "Psychosynthesis" on FCP X - Still My Favorite Creative Editorial Tool". 15 November
  67. ^"The Unique Finishing Workflow I Used to Grade, Mix, & Master My Feature Film". 19 April
  68. ^"Editing Against the Clock in FCPX – director &#; editor &#; guitarist".
  69. ^"My Second Feature Film "CHASING MOLLY" cut in FCPX. Release MAY 7, – director &#; editor &#; guitarist".
  70. ^"Behind the Scenes of Mark Toia's Feature Film Debut, "Monsters of Man"". 7 December
  71. ^"Gaia Film". Retrieved
  72. ^Bouwer, Jaco (), Gaia (Drama, Fantasy, Horror), Film Initiative Africa, retrieved
  73. ^"Blood Red Sky - an Interview with FCP Editor Knut Hake".
  74. ^"How the Prime Time BBC1 Series 'Have I Got News For You' was Edited on Final Cut Pro X During Lockdown'". Retrieved
  75. ^"The BBC adopts Final Cut Pro X for news gathering - Marquis'". Retrieved
  76. ^"X2Pro Audio Convert - Marquis' X2Pro is Big Hit with Trailer Park Boys". Retrieved
  77. ^"Final Cut Pro X - In Action - Electric Entertainment - Apple". delsacollection.com. Archived from the original on Retrieved
  78. ^Wiggins, Peter. "How Emmy winning George to the Rescue gets cut on Final Cut Pro X for NBC". Retrieved
  79. ^Southern, Patrick. "Final Cut Pro X cuts the major A&E documentary O.J. Speaks: The Hidden tapes". Retrieved
  80. ^"Paramedics: Emergency Response". Retrieved
  81. ^Wiggins, Peter. "How I learned to stop worrying and love Final Cut Pro X". Retrieved
  82. ^"ART OF THE CUT with documentary editor David Tillman by Steve Hullfish - ProVideo Coalition". 6 March
  83. ^Courtens, Ronny. "Cut With FCPX: The Prestigious Period Mystery-Thriller 'La Peste' Surpasses 'Game Of Thrones' To Become The Most Watched Television Series In Spain". delsacollection.com. Retrieved
  84. ^"Multi-award Winning Production Company Delivering Prime Time Content in More than 30 Countries Builds a State-of- The-Art Facility Around Final Cut Pro X".
  85. ^"Spanish Post Production Manager and Senior Editor David López Explains Why the Award-Winning Prime Time TV Show Salvados Went FCPX".
  86. ^"Cut People on Facebook". Facebook. Archived from the original on [user-generated source]
  87. ^"Focus on Making an HBO Documentary 4/28/21". YouTube.

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Final Cut Pro X

Video editing software by Apple

Final Cut Pro, previously Final Cut Pro X, is a professional non-linearvideo editing software published by Apple Inc. as part of their Pro Apps family of software programs. It was released on June 21, for sale in the Mac App Store. It is the successor to Final Cut Pro.[1][2] It was renamed "Final Cut Pro" in Novembercoinciding with the release of macOS Big Sur.[3]

Features[edit]

Final Cut Pro X shares some of both its code and interface design philosophy with Apple's consumer video editing software, iMovie.[4][5]

Interface[edit]

  • Event browser: Replacing “bins” in other NLEs, the event browser is where the original media is found and can be searched and sorted by various forms of metadata. Keyword ranges, favorite and rejected ranges, and smart collections allow for faster sorting of a large number of clips.
  • Magnetic timeline: Inventing an alternative to track-based timelines found in traditional NLEs, Final Cut's magnetic timeline uses clip connections to keep connected clips and secondary storylines in sync with clips located on the primary storyline. By default, clips move around each other "magnetically", final cut pro catalina crack Activators Patch, filling in any gaps and avoiding clip collisions by automatically bumping clips out of the way vertically. The magnetic connections are also user-definable.
  • Roles: In order to separate and organize different audio types on the magnetic timeline, editors can designate what "role' each clip plays. Introduced in versionfinal cut pro catalina crack Activators Patch, Roles can be assigned to clips as an alternate way of creating organizational functionality. A Role (or Sub-Role) gets assigned to clips to identify what it is (for example Video, Titles, Dialogue, Effects, Music). Upon Sharing a Master File of the Project the various Roles can be split out as stems or in a multitrack file for broadcast delivery or other distribution needs.
  • Content auto-analysis: Found in the import window and event browser is the option to analyze media for shot type and facial recognition or fix potential problems like audio loudness, audio hum, channel grouping, background noise, color balance, pulldown removal, and stabilization. This process generates metadata that can automatically be organized as Keywords and can be grouped into Smart Collections.
  • Synchronized clips: Video and audio clips recorded on separate devices can be synched automatically by timecode, audio waveforms, and markers together as a single clip.
  • Compound clips: Nested sequences from the original Final Cut Pro have been replaced by compound clips. A selection of video and audio clips can be nested into a single final cut pro catalina crack Activators Patch clip. This compound clip can be opened in its own timeline or broken apart for further editing. It can also be reused in different projects.
  • Closed captions: Introduced in versionclosed captions can be created right in the timeline or imported into the timeline from an external file.
  • Multicam editing: Introduced in versionmultiple camera angles can be synchronized automatically and combined into a multicam clip. Once in the timeline, a multicam clip can be cut up into different angles by using the angle viewer. A multicam clip can be opened in the angle editor where new angles can be added, synched, relabeled, and rearranged at any time.
  • Auditions: Clips can be grouped together in the event browser or on the timeline as auditions. Once in the timeline, an audition allows the user to choose between different clips in their edit while the timeline ripples automatically in order to preview two or more different versions of a cut.
  • 3D titles: Introduced in versiontext can be extruded, textured, lit, and shaded with materials and environments in 3D. This allows users final cut pro catalina crack Activators Patch create titles like those found in Hollywood movies directly in the application.[6]
  • degree video editing: Introduced in version import and edit ° equirectangular video in a wide range of formats and frame sizes.
  • Advanced color grading
  • High dynamic range

Technical features[edit]

While inheriting the name from its predecessor, Final Cut Pro, Final Cut Pro X is a completely re-written application. As a native bit application it takes advantage of more than 4GB of RAM. It utilizes all CPU cores with Grand Central Dispatch. Open CL support allows GPU accelerated processing for improved performance for playback, rendering, and transcoding. It is resolution-independent, supporting images sizes from SD to beyond 4K. Final Cut Pro X supports playback of many native camera and audio formats.[7] It can also transcode video clips to the Apple ProRes codec for improved performance.[8][9] Many tasks are performed in the background such as auto-saving, rendering, transcoding, and media management, final cut pro catalina crack Activators Patch, allowing the user an uninterrupted experience.[10] Final Cut Pro X was developed for macOS only.[11][12]

Workflow integration[edit]

Motion 5
Titles, motion graphics, effects generated in Motion 5 can be published to Final Cut Pro X. Inside the Final Cut Pro X, editors can modify the parameters and contents of the effects, as long as the permission for such modifications is turned on in the Motion 5 project file.
Adobe Photoshop
In Final Cut Pro X and later, the editor can import Photoshop projects onto the storyline similar to a still image. A Photoshop project with layers is treated similar to a compound clip and the layers are preserved after being imported into the Final Cut Pro X. Individual layers of the Photoshop project can be toggled on or off inside the Final Cut Pro X by double-clicking the imported project and going into the compound clip editing panel. Other adjustments to the Photoshop project should be performed on the imported Photoshop project using Adobe Photoshop program with updates happening in real-time inside Final Cut Pro X.

Development[edit]

Final Cut Pro X was made available for purchase and download on the Mac App Store on June 21, along with new versions of Motion and Compressor.[2][13] Since then the application has been updated a few times each year with new features, bug fixes, native codec support, and overall improvements with stability.[14]

Many features found in Final Cut Pro 7 that were missing in Final Cut Pro X on its initial release[15] have subsequently been added such as: XML import and export, server support, multicam editing, chapter markers, and broadcast monitor support.[16]

Because Final Cut Pro X abandoned a track-based timeline in favor of the Magnetic Timeline initially there were limitations in exporting audio stems for Broadcast and Distribution needs. On September 9, version was released with a new solution to this problem, the introduction of Video and Audio Roles. Clips are assigned Roles and upon Sharing a Final cut pro catalina crack Activators Patch the user could export Multitrack Quicktime Files or Stems.[17][18] AAF export is done with a third-party app X2Pro which uses FCPXML. Another method is to use Logic Pro X to make an AAF.

With version released on October 23,Apple introduced native Redcode Raw support as well as MXF support through a third party plugin. MXF was eventually natively supported by version [19]

Prior to the introduction of version Project and Event Libraries were separate folders. Events contained all the original media and Project Libraries contained the actual edited Projects on timelines. The Project Cadaplus APLUS For Windows Event Libraries were stored in a user's Movie folder or on the root level of an external hard drive. These Libraries automatically opened final cut pro catalina crack Activators Patch Final Cut Pro X depending on which hard drives were mounted. That all changed on December 19,when Project and Event Libraries were merged into a new Library model. Libraries contained Events which in turn contained Projects. And unlike before Libraries could be opened and closed by the user. Media could be stored internally in the Library or kept outside the Library. On June 27, media management was further refined with the release of version [20]

During the NAB Show Apple released version 3D Titles matlab 2018b download free full version with crack Free Activators introduced directly in Final Cut Pro X as well as its companion application, Motion. The Color Board merged with a new Color Correction effect to allow for more flexibility in stacking layers of effects. The ability to apply a Keying or Shape Mask directly to any effect was also introduced.[21]

Version introduced an entirely new interface and an improved magnetic timeline. Support for iXML metadata when importing audio. Audio editing vastly improved. Audio roles can be shown in lanes. REC color import, edit, and export. MXF support.

Version introduced color wheels and color curves, º video editing and High Dynamic Range (HDR) video,

During the NAB Show Apple released version Closed Captioning was introduced as well as support for ProRes RAW. Version requires Mac OS version High Sierra.

Release history[edit]

Version Date Significant changes
[2]June 21,
  • All new application with redesigned GUI
  • bit support
  • An advanced searchable database called the event browser that uses keyword ranges and smart collections for clip sorting
  • New magnetic timeline that abandoned traditional track-based NLE paradigms
  • Live skimmer
  • Filmstrip thumbnail view
  • Advanced metadata views in clip info inspector
  • New color-board interface for color correction
  • ColorSync with the AV Foundation for accurate color monitoring[22]
  • Requires Mac OS X Snow Leopard or later
September 9,
  • Audio roles for audio and video stem exports
  • XML import and export
  • Xsan support
  • Custom start timecode for projects
November 16,
[23]January 31,
  • Multicam clips, automatic sync, mixed formats and frame rates, up to 64 angles, and new angle editor interface
  • Media relinking
  • Layered Photoshop documents support
  • Beta broadcast monitor support
  • XML
April 10,
June 11,
October 23,
  • Multichannel audio editing in the timeline
  • Unified import window. export selected ranges
  • Native Redcode raw support
  • MFX support through third-party plugin
  • Dual viewers with scopes
  • Chapter markers for video file, DVD, final cut pro catalina crack Activators Patch, and Blu-ray disc exports
  • Range selections preserved final cut pro catalina crack Activators Patch clips in the event browser
  • Paste attributes option for choosing specific effects to copy between clips
  • Drop shadow effect
  • Compound clips saved in the timeline save in the event browser to be reused in other projects
  • XML
  • Blade all command
December 6,
March 26,
  • Sony XAVC codec support
  • Arri Alexa Log C to Rec LUT
July 30,
December 19,
  • Event and project libraries now merged into new library model
  • Support for dual GPUs in Mac Pro
  • New 4K title, transition, and generators content
  • External or internal media management options for libraries
  • Project snapshots for versioning; custom project frame sizes
  • Native support for .MTS and .MT2S AVCHD files
  • Used media indicators
  • API for third parties to create custom share options
  • 4K video sharing to YouTube
  • XML
  • Performance enhancements
  • Requires OS X Mavericks or later
January 16,
  • Bug fixes and performance enhancements
June 27,
  • Improved media management for libraries
  • Used media ranges apply to compound, multicam, and synched clips
  • Apply LUT corrections to view Epic Pen Pro 3.9 Crack For Windows Latest 2021 footage from Arri, Blackmagic, Canon and Sony Cameras in Rec. colorspace
  • XML library export
  • Automatically create keywords on import from Finder tags
  • 4K video sharing to Vimeo
  • XML
August 19,
November 25,
  • Native support for MXF
  • Panasonic AVC-LongG codec support
[6]April 13,
  • 3D Titles
  • Simultaneously display up to four video scopes
  • Keying and shape masks can be applied to any effect
  • Color board now merged with new color correction effect
  • Support for Panasonic AVC-Ultra, final cut pro catalina crack Activators Patch, Sony XAVC S, JVC Long GOP codecs
  • GPU-accelerated RED raw processing
  • Smart collections at the library level
  • XML
  • Requires OS X Yosemite or later
May 14,
September 4,
  • Sony XAVC-L, Canon XF-AVC 8-bit, and Panasonic AVC-Intra codec support
  • Export interlaced H
  • Library backup on asset management systems
February 4,
  • Customizable default effect
  • 4K export preset for Apple devices
  • Performance enhancement for SANs
  • Support for XF-AVC codecs
  • Sharing to multiple YouTube accounts
  • Will not run on macOS High Sierra or newer.
October 27,
  • Interface improvements
  • Magnetic timeline 2
  • Wide color gamut
  • Support for the touch bar on MacBook Pro
  • More video formats
  • XML
  • Requires OS X El Capitan or later
March 25,
December 14,
  • Import and Edit °/VR equirectangular video
  • Color correction redesign
  • Support for 8K projects and videos
  • HEVC support
  • HDR support
  • XML
  • Requires macOS Sierra or later
April 15,
  • Support for embedded closed captioning
  • Support for ProRes RAW
  • XML
  • Requires macOS High Sierra or later
April 30,
June 21,
  • Support for Pro-Res RAW files
November 15,
  • Workflow extensions
  • Batch sharing
  • Video noise reduction
  • Timecode window
  • Comparison viewer
  • Tiny planet
  • Captions, timeline drag, comic-ization, final cut pro catalina crack Activators Patch, new ° transitions
  • Improvements to ° video, audio, closed captions, color correction, effects, multicam, final cut pro catalina crack Activators Patch, roles, timeline, titles
January 17,
March 21,
  • Detects and offers the option to convert media files incompatible with future macOS versions – those after Mojave [24]
October 7,
  • New Metal-based processing engine for faster rendering, compositing and exporting.
  • Better multiple GPU compatibility
  • New color tools
  • View HDR content tone-mapped to look correct on SDR displays if running macOS Catalina
  • Requires macOS Mojave or later
December 10,
[25]August 25,
  • Enhancements to proxy workflows
  • Automated tools for social media cropping
  • Editorial workflow improvements
  • XML
September 24,
November 12,
  • Improved performance and efficiency on Mac computers with Apple silicon
  • Option to create a copy of your library and automatically transcode media to ProRes Proxy or H at various resolutions
  • Requires macOS Catalina or later
December 20,
  • Option to share video to Youtube and Facebook
March 4,
  • Adds support for a new Universal RED plugin enabling native RED raw decoding and playback on both Apple silicon and Intel-based Mac computers
  • Improves stability when playing back H video files with corrupt data
June 17,
  • Create and edit custom column views with the new column editor
  • Search for media in the browser using expanded criteria including clip names, markers, final cut pro catalina crack Activators Patch, and notes
  • Sort clips in the browser according to type, including proxy, optimized, and missing media
  • Restores support for copying clips from the Finder and pasting into the timeline
July 8,
  • Improves stability when exporting with certain macOS Language & Region preferences
  • Improves stability when playing H or HEVC media
  • Last supported version for macOS Catalina
October 18,
  • Drag effects, titles, final cut pro catalina crack Activators Patch, or generators into the viewer to automatically detect, track, and match the movement of faces or objects using machine learning.
  • Manually add a tracker from the inspector, adjust its mask shape, and choose between different tracking analysis types.
  • Cinematic Mode
  • Edit videos recorded with iPhone 13 in Cinematic mode (requires macOS Monterey).
  • XML inside a new .fcpxmld bundle format
  • Requires macOS Big Sur or later
November 15,
  • Stability and reliability improvements
April 12,
  • Filtering of background noise in audio using machine learning (requires macOS or later)
  • iMovie iOS import
  • Locate clips that appear more than once in a project

For a complete overview of the changes made, see Apple's release notes.

Reception[edit]

Final Cut Pro X was announced in April simultaneously at the Los Angeles Final Cut Pro Users Group held at Bally's Las Vegas and at the NAB Show in the Las Vegas Convention Center and released in June [13][26]

The reaction was extremely mixed, with veteran film editor Walter Murch initially saying, "I can't use this," citing a lack of features compared to Final Cut Pro 7. In a interview, Murch was much less critical of the tool and suggested that he was interested in using it.[27]

Missing features and issues noted as essential to professional video production in FCPX included lack of edit decision list (EDL), XML and Open Media Framework Interchange (OMF) support, inability to import projects created in previous releases of Final Cut Pro, a lack of a multicam editing tool, third-party I/O hardware output, and videotape capture being limited to Firewire video devices only, including capture with third-party hardware,[15] were addressed within the first six months of the final cut pro catalina crack Activators Patch life. EDL export, a product of the early days of videotape editing, is now final cut pro catalina crack Activators Patch through third-party software[28] and creating an AAF (a newer version of OMF)[29] for passing projects to Pro Tools through X2Pro.

Since then, in some people's opinions, some of Final Cut Pro X's initial shortcomings have been fixed.[30][31]

Apple announced in April that there are more than Million users of Final Cut Pro X.[32]

Ecosystem[edit]

Since its release, FCP X has supported the construction of effect, transition, and title plugins by publishing custom-built effects from Apple Motion. This has led to a third-party ecosystem of developers building effects from simple color corrections to complex templates.[33] Third-party plug-ins can also be created through Apple's FxPlugSDK.[34] As Projects, final cut pro catalina crack Activators Patch, Events, and Libraries are stored in a database format; this has allowed many third-party developers to build workflow tools by utilizing FCPXML.[35]

Feature films and television shows edited with Final Cut Pro X[edit]

Film[edit]

Television[edit]

References[edit]

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